红杏视频

• Three contrasting movements from at least two works representing contrasting musical periods
• Two movements need to be performed from memory
• Major and minor scales

• Three contrasting movements from at least two works representing contrasting musical periods
• Two movements need to be performed from memory
• Major and minor scales

• Two contrasting movements of a concerto or sonata, (with accompaniment); or unaccompanied bass piece (eg: Dragonetti Waltzes, Bach cello suites, Fryba Suite)
• Will be asked to play scales and arpeggios in separate legato quarter notes ~60bpm, in any major/minor key up to three sharps/flats. Two octaves minimum, three octaves preferred.

The classical guitar program at UVic seeks applicants that have previous experience with classical technique and repertoire. Most applicants are playing at the Grade 7 or 8 level and are looking to further extend serious study of the guitar. 

• Appropriate audition material would be classical pieces showing an understanding of different styles eg. Bach, renaissance, romantic or contemporary periods.  
• For auditions, a nylon strung classical guitar played with nails is required.

• 2-3 contrasting pieces and examples of technique at an RCM Grade 8 or higher.
• Note that auditions must be performed on pedal harp.

• Two contrasting movements from a Baroque sonata of your choice (such as any Sonata for Flute by J. S. Bach or Handel) OR a single movement from a Classical period concerto (such as a movement from a Mozart concerto) AND
• One work from the Flute Music by French Composers collection (edited by Louis Moyse) OR any short unaccompanied work from the 20th or 21st century (such as Hypnosis by Ian Clarke, Density 21.5 by Varèse, Syrinx by Debussy, Icicle by Aitken, etc.) OR  a movement of your choice from a 20th century sonata (such as those by Poulenc or Hindemith). 

Please note: If necessary, all repertoire may be presented without collaborative piano, in light of the impact of COVID-19. Please contact Dr. Suzanne Snizek directly with any questions or concerns regarding audition repertoire. 

Further information about the flute program may be found on the .

• One odd-numbered and one even-numbered selection of your choice from Cyrille Rose, 32 Etudes for Clarinet. 
• Two contrasting movements of your choice from the Classical or Romantic period, demonstrating technique and style OR a movement from the Classical or Romantic period and one selection from the 20th century.
• Major, minor, and chromatic scales and arpeggios, up to four sharps and flats. 

The clarinet entry level is in the equivalency range of RCM grade 8.

• Two contrasting études (Barret or Ferling)
• One movement of a concerto, sonata, or similar.
• Piano accompaniment is not required.

Prepare three contrasting selections by style and/or period. These selections should include:

• Two contrasting movements from a single concerto, sonata  or solo work, or two contrasting movements from different works.
• A complete etude from a standard collection such as Weissenborn or Milde

Knowledge of all major, minor, and chromatic scales (2 octaves) is assumed and may be assessed during your audition.

A short repertoire suggestion list is available, but other repertoire is acceptable as long as it conforms to the required selection requirements.

Please contact Katrina Russell with any questions. 

• One composition drawn from the standard concert repertoire that demonstrates legato, expressive playing, as well as one contrasting fast composition that demonstrates technical facility and articulation.
• Choose works from the list of recommended audition pieces or works of a similar level (see  and/or contact Professor Wendell Clanton at wendell.clanton@gmail.com).

• 3 contrasting pieces to be played at level equal or higher than Palmer Hughes Book 9  
• Stradella bass accepted
• Free bass - welcome, but not necessary

• At least 15 minutes of music should be prepared from memory, comprised of three works from different stylistic eras which are at the RCM Grade 10 level or higher. A movement from a sonata can count as one work. 

• A work or movement by J. S. Bach 
• Two other contrasting works

 UVic offers organ instruction and practice facilities in collaboration with .

First year applicants will be required to demonstrate their playing ability in at least two of the following areas of percussion playing: timpani, keyboard percussion, snare drum.

Required works:

• Snare Drum: Goldenberg, Modern School for Snare Drum — pg. 44, quarter note = 116
• Timpani: Goodman, Modern Method for Timpani — Exercise 26, pg. 46
• Keyboard Percussion: Goldenberg, Modern School for Xylophone, Marimba and Vibraphone — pg. 94 (beginning to 5 measures after letter D)
• Technical exercises: Standard rudiments on the snare drum, major and harmonic minor scales (two octaves)

Transfer applicants must demonstrate their ability in the following areas of percussion playing: timpani, keyboard percussion and snare drum.

Required works:

• Snare Drum: Delécluse 12 Etudes — No. 1, 6 or 9
• Timpani: Solo of choice (eg. John Beck, Sonata for Timpani, Movement II)
• Keyboard percussion: Solo of choice (eg. Mexican Dances by Stout, Yellow after the Rain by Peters)